Foley studio footsteps begin with two empty boots and a gravel pit. The sound artist holds the boots by their cuffs, bringing their soles to the loose surface while watching the work closely. Different floor panels spread around her, turning a practical recording room into a patchwork of brick, timber and leaves. The microphone makes the purpose of the movement visible.

The high corner view keeps the hands, boots and material pits within one relationship. Shelved props and a projected image extend the scene beyond the immediate task. Embroidered clothing adds a personal detail among the functional objects. The photograph finds an inventive story in the gap between what an audience sees on a screen and the physical work used to give that scene its sound.