Hundreds of rough stones form a vast hollow cylinder above the floor of a tall gallery. Fine vertical wires rise from the individual pieces to an exposed metal grid beneath the roof. The open circular end faces the viewer at an angle, revealing the layered stone shell and the daylight passing through its empty centre.

Dark grey and warm brown fragments have chipped edges, small pits and uneven mineral surfaces. Narrow gaps between them make the construction readable while preserving the strong outline of the suspended form. Its long underside hangs well above the pale floor, where scattered shadows echo the loose pattern of the stones.

Arched windows reveal bare trees in the cool evening light. Small lamps warm the old limestone walls and pick out a few edges of the installation without overpowering the windows. A distant empty bench gives the object scale, while dark roof trusses and a charcoal strip of flooring frame the open space. The scene holds a simple tension between the weight of the material and the delicacy of its supports.